Aureate Gloom

Kevin Barnes’ formal restlessness is his charm and flaw. It has made Of Montreal an ever-morphing, rarely boring indie-rock standby — but it can also find him riffling through random scraps like Macklemore in a Goodwill superstore. So goes Barnes’ latest: Impressive disco-funk-glam couplings (the politically incensed “Bassem Sabry”) rush the…

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