Dope new visual from Dice Soho.
The following betting odds – “specials” were just released by BetOnline.ag, combine outcomes for both the men’s and women’s NCAA basketball championships.
With a few upsets, there’s quite the potential for some very interesting paydays…
Bets are already coming in — if the South Carolina Men’s and Women’s teams win their respective championships, bettors will see a hefty profit of $8,000 on a $100 bet.
What if the two biggest underdogs in the tournaments pull off a championship? That’s a $20,000 profit on a $100 bet.
Here are the other potential outcomes and payouts:
|South Carolina (M) + Connecticut (W)||+650||Profit $650 on $100 bet|
|South Carolina (M) + South Carolina (W)||+8000||Profit $8000 on $100 bet|
|South Carolina (M) + Stanford (W)||+10000||Profit $10000 on $100 bet|
|South Carolina (M) + Mississippi State (W)||+20000||Profit $20000 on $100 bet|
|Gonzaga (M) + Connecticut (W)||+190||Profit $190 on $100 bet|
|Gonzaga (M) + South Carolina (W)||+2800||Profit $2800 on $100 bet|
|Gonzaga (M) + Stanford (W)||+3500||Profit $3500 on $100 bet|
|Gonzaga (M) + Mississippi State (W)||+6600||Profit $6600 on $100 bet|
|North Carolina (M) + Connecticut (W)||+170||Profit $170 on $100 bet|
|North Carolina (M) + South Carolina (W)||+2500||Profit $2500 on $100 bet|
|North Carolina (M) + Stanford (W)||+3300||Profit $3300 on $100 bet|
|North Carolina (M) + Mississippi State (W)||+5000||Profit $5000 on $100 bet|
|Oregon (M) + Connecticut (W)||+750||Profit $750 on $100 bet|
|Oregon (M) + South Carolina (W)||+5000||Profit $5000 on $100 bet|
|Oregon (M) + Stanford (W)||+8000||Profit $8000 on $100 bet|
|Oregon (M) + Mississippi State (W)||+12500||Profit $12500 on $100 bet|
Source: https://www.betonline.ag/sportsbook (Futures & Props > Basketball Features > NCAA Special)
BetOnline.ag is one of the largest online sportsbooks in the industry established in 2004. With its solid reputation in sports betting, casino, poker and horse betting, BetOnline.ag is a trusted source for odds that are referenced regularly in media.
There’s more where “Humble.” came from.
Rosie Hamlin, lead singer of Rosie and the Originals, the early Sixties group that scored a hit with their timeless single “Angel Baby,” died March 30th. She was 71.
“She didn’t perform anymore, and had removed herself from the music scene because of health concerns. She did still paint and tended a very lovely garden. She will be greatly missed by so many,” Hamlin’s daughter wrote. “Thank you for all your wishes and time and kind words. It meant a lot to her.
Hamlin penned “Angel Baby,” her and the Originals’ lone hit, when she was just 14, with her first boyfriend and the Penguins’ “Earth Angel” serving as her primary inspiration. After penning the song over a couple hours on afternoon, Hamlin and some instrument-playing San Diego friends laid down the first version of the track.
“We had trouble landing a record deal. We couldn’t even get an appointment with any of the labels. So we took one of our 45’s to Kresge’s Department Store in San Diego,” Hamlin wrote in her online biography. “They had listening booths in their music section where you could preview records before you bought them. We asked the manager to play our record and see if he could sell it in his store.”
A distributor from Highland Records heard “Angel Baby” and, without officially inking the group to a record contract, took control of the single’s master take and gave songwriting credit to the Originals’ eldest member. The single eventually found its way to famed DJ Alan Freed, who played “Angel Baby” numerous times a day in November 1960; two months later, the single peaked at Number Five on the Hot 100.
However, Hamlin parted ways with Highland after a legal battle over the song’s authorship and ownership. After disbanding the Originals, Hamlin recorded an album with her guitarist husband Noah Tafolla before leaving the music industry by 1963.
“Angel Baby” was one of John Lennon‘s favorite songs, with the former Beatle covering the track for his Rock ‘n’ Roll covers LP; although left off that album, his version emerged on the 1986 posthumous release Menlove Ave. and subsequent Rock ‘n’ Roll reissues.
“This here is one of my all-time favorite songs,” Lennon says in the intro to his “Angel Baby” recording. “Send my love to Rosie, wherever she may be.” Artists like Roky Erickson, Linda Ronstadt and even System of a Down would also cover Hamlin’s oldies staple.
In 1995, Rosie and the Originals were featured as part of the Rock & Roll Hall of Fame’s exhibit on One-Hit Wonders; Hamlin proclaimed herself the first Latina woman ever enshrined in the Rock Hall.
This sounds lit!
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This week’s key posts on MusicThinkTank looked at why you’re not getting what you want, reasons unsigned bands should stop wasting money on radio pluggers, the best types of music for helping you sleep, and more.
- Suz:The Rockstar Advocate | Why You’re Not Getting What You Want
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The Roots with Usher, Ryan Adams and Norah Jones were among the artists to perform during the all-star Stand for Rights: A Benefit for the ACLU fundraiser, which live-streamed Friday night on Facebook.
The four-hour fundraiser – hosted by Tom Hanks and featuring appearances by Alec Baldwin, Tina Fey, Tracy Morgan, Jon Hamm, Paul Rudd, Amy Poehler, Steve Buscemi and many more – brought in nearly $150,000, all of which went to the ACLU.
The Roots with Usher performed at the telethon’s one-hour and 23-minute mark, with the tandem collaborating on an updated take on Eugene McDaniels’ 1970 protest song “Cherrystones,” which was a criticism of the political inactivism at that time.
“Yo, being armchair activist is laziness, when this administration is the craziest,” Black Thought fired off in the song’s opening line. “Dedicated religious figures been going atheist / Each and everything must change, there’s no escaping this.” After the Roots refashioned the 1970 song with some fresh verses, Usher took over for the remainder of “Cherrystones.”
Earlier in the program, at the 19-minute mark, Norah Jones performed, while pre-recorded footage of Adams playing his “Tell Me Something Good” solo in his home studio pops up at the one-hour and 41-minute mark of the live-stream.
In the fundraiser’s final hour, Buscemi and ACLU members talked at length about legislation Congress pushed forward this week aimed at stripping away privacy rights on the internet, with the actor stating we must make sure “innovation doesn’t chip away at our civil liberties,”
“Here we are in 2017, which is already way past where Marty McFly went into the future, and your privacy is under attack by the Biffs of the world,” Buscemi said, alluding to Back to the Future‘s Trump-like villain. “Earlier this week, the House of Representatives voted to repeal internet privacy protection that had been approved by the FCC. That’s bad, and we need to fight this.”
Other artists featured during the Stand for Rights: A Benefit for the ACLU included Hamilton Leithauser, Tituss Burgess, Emily King and multiple performances by house band Wyndham Baird.
They say the third time is a charm and King YC is looking to strike gold. The Mississippi native unveils his the third single titled “Right Back,” which features Hurricane Chris. The single is lifted from his project “King YC For President.” Check it out below.