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MIT’s Cheetah Robot Can Now Jump Over Hurdles As Well – Apex Beats … – Gazette Herald


Gazette Herald
MIT's Cheetah Robot Can Now Jump Over Hurdles As Well – Apex Beats
Gazette Herald
Unter beachtung automated Cheetah has taken an incredible enter the space of robotics. The robot will work alongside go over by storing high-speed. The Cheetah is known as the fastest four legged electronic arts in the nation. DARPA's Maximum Mobility …
MIT's Cheetah Robot Can Now Jump Over Hurdles As WellApex Beats


Cheetah robot can now jump over obstacles while runningThe Silver Ink
MIT's robo-cheetah can now see and jump over obstaclesCNET
STGIST
all 122 news articles »

Google and Qualcomm Partner To Make A Project Tango Smartphone – AnandTech


AnandTech
Google and Qualcomm Partner To Make A Project Tango Smartphone
AnandTech
Project Tango is the name of Google's initiative to build smartphones and tablets with cameras and sensors that can be used to track its position in 3D space, and to map the environment around it. Although it was initially announced as a platform that would …
Now anyone can tango with one of Google's 3D scanning tabletsThe Star Online


Google And Qualcomm Working On Project 'Tango', Might Be Powered By Gizbot
This slide appears to show the back cameras on Qualcomm and Google's Phone Arena

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Sony promises ‘Ultra Street Fighter IV’ PS4 patch next week – Engadget


Engadget
Sony promises 'Ultra Street Fighter IV' PS4 patch next week
Engadget
The launch of Ultra Street Fighter IV on the PlayStation 4 hasn't exactly gone as planned, with gamers complaining of input lag, shoddy netcode, glitches, a start screen that refers to a button on the controller that doesn't exist and other issues. Tonight Sony …
Ultra Street Fighter IV PS4 Update Patch Submitted, No Firm Release Window YetPlayStation LifeStyle


Capcom Pulls Ultra Street Fighter IV PS4 From Pro TourArcade Sushi
Out this week: Splatoon, Game of Thrones – Episode 4, Ultra Street Fighter IV Games Asylum
Attack of the Fanboy –IGN
all 17 news articles »

David Oyelowo and Director Elliott Lester Talk ‘Nightingale’

 David Oyelowo flew in to New York from South Africa to attend a special screening of “Nightingale” at ArtBeam. 

The single-character drama starring Golden Globe nominee David Oyelowo debuted on HBO on Friday, May 29. Directed by Elliott Lester from a screenplay by Frederick Mensch, the film is a provocative drama that probes the darkest corners of a disturbed mind, as a war veteran begins to unravel thread by thread. This searing story of solitude and isolation offers a poignant look at how life has failed one man. Read what David and Elliot told us on the red carpet:

 

What attracted you to the project?

David Oyelowo: The fact that is was intriguing. Most scripts you read feel like well trodden territory. You’ve seen it before. You’ve heard it before. You’ve been in it before. This was none of those. I simply had never read a script quite like it, certainly not for the screen. The character was so compelling to me…terrifying really. I really felt I wanted to do it as a dare to myself. Could I engage with this in the way that you have to. You have to be fully exposed as an actor and I decided to dive in.

Can you talk about collaborating with Elliot Lester and his vision?

David: What I loved about Elliot is talking to him early on, he was just as terrified but also as excited by it as myself. We very much went into it with a feeling of fearlessness really; and I mean fearless in a sense that if we fail, let’s fail forward. There’s no guarantee with a film like this that it’s going to be successful. That it’s going to be well realized because so many of the tools that you normally have aren’t there. You don’t have other characters. You don’t have multiple locations. You don’t have a car chase and you don’t even have a love interest. It’s just one guy in a house. So can that work cinematically? We live in an age where you have seen it all before. Let’s try to do something that you haven’t seen it before.

What’s the challenge when it’s just you with no co-workers, and one location as you mentioned?

DO: It’s very lonely. Thankfully the character is a very lonely guy. He’s someone who’s very solitary and doesn’t particularly like going out. He’s someone who has cultivated a wall of lies around him in order to be able to survive. Any loneliness I felt lent itself to the character. Thankfully it was only a three week shoot. Anything much longer than that, I would have actually gone a bit mad like Peter Snowden.

You seem to be working all the time. When do you catch a break?

DO: I think I use my time off wisely. If I’m not on a set, I’m with my wife and kids and that’s about it. I love being with them and they travel with me all the time. I’m doing a film at the moment. I flew in from South Africa last night. They have been with me. We were in Uganda. My wife and I have a two week rule that we’re never apart for more than two weeks. Even though I stayed in character for the three weeks that we shot this, I stole away for half a day to see my family. I’m having a great moment right now and it doesn’t promise to stay forever, so while it’s around, I’m going to try and put as much as a dent in thing as I can.

You worked with Ava DuVernay on ‘Selma’ and you’re about to work with Amma Asante on ‘A United Kingdom.’  Can you talk about working with these Black female directors?

DO: In talking about Ava, and in talking about Amma, one of the things I’m adamant about is that I want to see and hear voices of others. Others who are not being represented. Female directors, actresses, people of color, people who are underrepresented on film. I deliberately pursued Ava to direct ‘Selma.’ I deliberately pursued Amma to direct ‘A United Kingom’ because I think these are underrepresented voices in film; and I think that when you are an artist, who you are is tied in to what you do. If 50% of the population is female and yet a minuscule of percentage of directors are female, something’s off. Something’s wrong and therefore the films we’re seeing are skewed in a way that doesn’t represent the world I live in. Both in terms in women and of people of color. That’s why I wanted to do ‘Nightingale.’ We don’t get to play characters like this that are not rooted in race, sports, music, and civil rights. It has nothing to do with that. It’s just a very complex character. I want to use whatever notoriety I have to get those voices out there because I do think it shapes culture.

We spoke with Elliott Lester about the film:

How did you first get involved with the project?

The project was given to me by my producing partner, Josh Weinstock, on a Wednesday, we optioned it on a Monday, and we were in pre-production maybe a month later.

How did David Oyelowo get involved?

Well, the material went out to the town and we had a huge influx of actors that wanted to play Peter Snowden. David came in; he was incredibly honest, he said, ‘I don’t know what we’re going to be doing here, I’m slightly terrified,’ and ultimately it was about him wanting to pursue the truth, and it was kind of a no-brainer after that.

Besides David, what’s the sell?

One man, one house, ninety minutes. Enjoy the ride.

Speak about the challenges of working with one set and one actor.

Actually, for me, not too many. But for the actor, for David, he’s got no one to act opposite. Effectively I’m his acting partner. You’re in a house, and you’re always looking for a new angle to shoot from. In terms of from the crew point of view, it’s quite easy, because you’re not having to cover additional coverage. But from the actor’s point of view, it’s immensely difficult. There’s very few actors, I think, that could pull it off, and David does it beautifully.

Speak about watching him transform into this character.

David is Peter Snowden. Watching him transform was quite incredible. When he was on the set he was Peter Snowden, he was not David Oyelowo. It was a true method immersion into that character.

This is a one man, one set show. Could you see it be put on stage?

Actually, that’s a great question. Originally, Frederick the writer had written it as a play. And I think he’d given up on it a little bit. But, I think, as an actor, if you want to stretch, this is probably the toughest material you can do.

-$haina_Moskowitz

Peep the Visuals for Dave East’s Street Heater “No Coachella for Me”

Prod by: Automatik Beatz

Directed by: Brandon Cooklin

Coachella was indeed jumpin, but when the money calls, do you answer, or send to voicemail? (lol)

Dave East gives you a taste of what he was engaged in, while skipping the west coast for the festivities.  Watch the video above, give us your thoughts, and make sure you’re prepared for #HMN when it drops.

In the meantime, make sure you cop “Black Rose” and if you haven’t done so, peep the visuals to “The Offering” as well.

Catch me on the gram and twitter: @Evie_Blanco

Uber updates privacy policy, but can still track users – CNET


Firstpost
Uber updates privacy policy, but can still track users
CNET
The ride-hailing service revises its privacy policies to be "easier to understand," but it also mentions it can access passengers' location data even when they're not actively using the app. by Dara Kerr · @darakerr; 30 May 2015 1:43 am BST. facebook. twitter.
Should Your Uber Driver Know Exactly Where You Are? They Could SoonTechCrunch


Uber's updated privacy policy spooks some usersSlashGear
Uber Updates Privacy PoliciesFast Company
Apple Insider –The Verge –Phone Arena
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Splatoon Sells Out In Japan, Nintendo Apologizes – GamingBolt


GamingBolt
Splatoon Sells Out In Japan, Nintendo Apologizes
GamingBolt
Splatoon is Nintendo's first major in house new IP in over a decade, and it is also a very fresh new spin on the shooter genre. Players have been awaiting its launch for a while now, and Nintendo itself has also been giving the game all of its marketing push.
Zelda Wii U Plot Rumors and Possible E3 AppearanceZelda Dungeon


Nintendo Hides a Surprise in Its Super Mario Bros. Anniversary Website Nintendo Life
FIFA 16 Skipping 3DS and VitaNintendo Enthusiast
Engadget –Gematsu –WBEZ
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Watch Lil’ Mama’s “Sausage” Video

Lil’ Mama has returned with a brand new video, “Sausage,” that has the internet on fire right now. Watch it above, and judge for yourself. She’s got everything from interpolation of Big Sean, Fetty Wap and more, not to mention a Mary J Blige tribute.

Windows 10 Build 10130 adds Cortana button, new icons, Start improvements – PCWorld


PCWorld
Windows 10 Build 10130 adds Cortana button, new icons, Start improvements
PCWorld
Microsoft continues to polish the scuff marks on Windows 10 with its latest Build 10130. The new build, released Friday for download via the Fast Ring of the Windows 10 Insider program, adds new icons, some default behaviors for virtual desktops and even a …
At I/O, More Evidence of Google's Complicated Relationship With iOSFast Company


Microsoft rolls out Windows 10 test build 10130 for PCsZDNet
Microsoft releases Windows 10 preview for PCs with Cortana keyboard shortcut VentureBeat
Engadget
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Photographer Cam Kirk on His Gucci Mane Photo Exhibit

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